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M/K Heland (M5V), owned by Sevrin Roald, Arne Roald and Olav Røsvik, Vigra.
Built by Einar Helland, Vestnes 1937. 60 foot long, with 85hp Håhjem engine.
The first tour the 'Heland', skippered by one of the owners, Sevrin Roald, made to Shetland during the war, was with two 'Company Linge' agents; Karl Johan Aarsæter and Åsmund Wisløff, in November 1941. The 'Heland', using the false name 'M/K Per', managed to get undamaged through the same hurricane in which the 'Blia' disappeared, and returned to Norway with supplies to other agents. Another agent transport was done in January 1942.
On February 27th 1942, the 'Heland' arrived Lunna with 23 refugees. Onboard were: Olaf Håhjem, Johan Hagbart Molnes, Nils Johan Molnes, Sverre Johan Molnes, Harald Peter Ratvik, Arne Ottar Roald, Arnfinn Sevrin Roald, Bjarne Jon Roald, Harald Gunnar Roald, Inga Emilie Roald, Jon Bernt Andersen Roald, Karl Johan Roald, Sevrin Olav Roald, Sverre Normann Roald, Arnfinn Oddmund Roaldsnes, Karl Sigvart Roaldsnes, Arild Rypdal (born 1934), Sylvi Rypdal, Trygve Rypdal (1938), Trygve Stein Rypdal, Jakob Peder Rørvik, Bernt Skodje, and Jakob Skodje.
Trygve Rypdal was the MILORG's district leader in the Ålesund area, he brought with him his wife and two sons.
Sevrin Roald brought his wife, Inga, with him and they both became part of the landcrew in the'Shetland Bus' operation in Scalloway.
The 'Heland' became a 'Shetland Bus Boat', and she made several tours to Norway, mostly skippered by August Nerø, but with other skippers too. There were many narrow escapes, but the vessel always returned safely to Shetland.
In 1943, when the submarine chasers arrived, the 'Heland' became a reserve vessel and did transport tours to Scotland.
When the war ended, the 'Heland' was returned to Norway and became a fishing vessel again. In 1971, it was given to 'Sunnmøre Museum'. The 'Heland' is now preserved as a typical representative fishing vessel of the 'Shetland Bus' fleet.
In 2002 she transported the Norwegian stones for The Shetland Bus Memorial to Scalloway.
This statue makes the great Henrik Ibsen look possessed!
"Henrik Ibsen, author of the plays The Doll’s House, Hedda Gabbler and more, spent several years in Bergen and served as dramatist and stage director at the Norwegian Theatre in Bergen.
An arresting statue of Ibsen by Nils Aas stands in front of Bergen’s main theatre Den Nationale Scene.stands in front of Bergen’s main theatre Den Nationale Scene."
europeupclose.com/article/bergen-the-beautiful-its-art-an...
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Henrik Johan Ibsen was a major 19th-century Norwegian playwright, theatre director, and poet. His 3.5 meter statue in front of the Den Nationale Scene (National Theater) in Bergen was created by Nils Aas in 1981 to honour six years that Ibsen lived and worked in Bergen.
www.gettyimages.fr/detail/photo/henrik-ibsen-statue-by-ni...
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Nils Sigurd Aas (21 April 1933 – 10 February 2004) was a Norwegian sculptor. [1] He was one of the most prominent artists in modern Norwegian sculpture and is particularly well known for his statue of Haakon VII, located in the June Seventh Square in Oslo, and for designing coins for Norwegian currency, including 10-krone and 20-krone coins.[2]
Contents
Nils Sigurd Aas was born in Inderøy, in Nord-Trøndelag County, Norway.
He grew up in a family of prominent carpenters and furniture makers. His grandfather (also named Nils Aas) had established a carpentry workshop and water-driven sawmill in Straumen.
His father, Ivar Aas, took over the carpentry workshop at the death of the elder Nils Aas in 1927, and eventually won awards for his furniture work.
The family also operated a Sunday School out of the same building as the workshop, from 1933-73. Aas' mother Inga Lie was from Telemark and had come to the village in 1928, working for the local parish priest. Ivar and Inga met and married the same year, and the couple had five children: Marit (1929), Signe (1930), Nils (1933), Aslaug (1935) and Arne (1941). In his youth, Nils was an active as ski jumper and athlete.
Nils was educated in the family trade of woodworking from an early age, and his earliest preserved work is a wooden sculpture of Bishop Arne Fjellbu, made when Aas was 16 years old.
After graduating from secondary school and after a short stint in military service, Aas applied to the Norwegian National Academy of Craft and Art Industry in 1954 at the age of 21; his older sister, Marit, had started at the school two years earlier.
His father marked the occasion by making a suitcase of wood as a farewell gift to the son. Aas studied at the school from 1954–58, notably under Arne Bruland and Ivar Bell.
Bell taught Aas calligraphy but ultimately pushed his pupil towards his eventual career as another type of artist, commenting "I think you are three-dimensional"; Aas took the advice and enrolled in sculpture classes the next term. Upon leaving the institute, Nils went on to study under sculptor Nils Flakstad from 1958-1959. At the end of 1959, he accepted work with Per Palle Storm.[3][4]
As a student, Aas had various commercial and industry jobs, particularly over his summers, including a stint at an advertising agency, and another as an assistant at the architectural and planning offices in Steinkjer.
Advertising did not appeal to him, but the experience in architecture further influenced his concepts for sculpture, particularly those designed for public spaces.
In his last term at the National Academy, and for several years following, Aas began to work as an assistant to the abstract sculptor Arnold Haukeland, who would have a substantial impact upon Aas's own style.[4]
Aas worked for Haukeland in varying capacities through 1966, at which point Haukeland took on a new assistant and encouraged Aas to develop his own reputation.[5]
Through Haukeland, Aas was introduced to the aesthetics of abstract form. He participated in the creation of two of Haukeland's most famous sculptures: Elements Fountain at Bærum Town Hall and Dynamics, a sculpture on the promenade at Sjølyst in Oslo.
It was in Haukeland's studio that Aas created his own debut work (titled Torso) for the Autumn Exhibition in Oslo.
Art works
Aas's art is featured in numerous public spaces in Norway, and he is represented by important works in the National Museum of Art, Architecture and Design and the Trondheim Kunstmuseum.
Aas' work in sculpture spanned several different styles and material bases. His most famous work, a statue of King Haakon VII, located in the June 7 Plaza, is made of clay and plaster and cast in bronze.
A statue of Henrik Ibsen in Bergen is made of granite, while several other public decorative works are made in wood.[4] His 10-ton heavy wall decoration Nordisk Lys in the Council of Europe's Council of Ministers building in Strasbourg is made of laminated spruce. It is 16 meters wide and 6 meters high.[6]
Several other Aas works were rendered in steel wire and/or paper. Among these are a miniature statue of a horseback rider in steel wire and figures representing Marcus Aurelius, Rallar, and Charlie Chaplin composed of steel wire and copper plate.
He is also known for a large number of small sculptures made entirely from paper. A number of other sculptures, often formed to serve as facades to walls, were made entirely from wood.
Other statues by Nils Aas include works based on Grete Waitz and Henrik Ibsen. He also created a large number of portrait busts, including works modeled on Einar Gerhardsen, Johan Borgen, Arthur Rubinstein, Håkon Bleken, Harald Sæverud, Jakob Weidemann and Rolf Jacobsen. Aas is also well known as the designer of a number of medals and coins for official treasury or governmental purposes in Norway, most notably the current 10-krone and 20-krone coins.
Selected works
Haakon VII - 7. juni-plassen, Oslo
Hjalmar Andersen - Bislett Stadium, Oslo
Henrik Ibsen - Den Nationale Scene, Bergen
Charlie Chaplin - Colosseum Cinema, Oslo
Anne Stine and Helge Ingstad - Vikingskipshuset, Oslo
Marilyn Monroe - Haugesund
P.C. Reinsnes - Sortland
Awards and honors
1972 - Oslo City Culture Prize
1984 - Statens æreslønn
1990 - Anders Jahre cultural prize (Anders Jahres kulturpris) (jointly with Asbjørn Aarnes)[7]
1990 - Knight of the Order of St. Olav
1996 - Inderøy Municipality Culture Prize
2001 - Ingeborg og Per Palle Storms ærespris
Personal life
In 1959, Aas married painter and illustrator Tonje Strøm, whom he had met at the National Academy. The marriage lasted until 1978 and the couple had two sons. One of their sons, Atle Aas, is an architect and is married to professor Camilla Stoltenberg. In 1996, Aas married for a second time, this time to fellow craftsworker Christine Reintz. Aas died in 2004 at the age of 70.[8][9]
Nils Aas Kunstverksted
Nils Aas Kunstverksted
The Nils Aas Kunstverksted (Art Workshop), located in Inderøy, now serves partly as a museum and retains a permanent collection of Aas' work. The building is designed by Aas himself. The most notable piece is a huge circular monument made in birch wood, situated in the centre of the museum. Many of the sculptor's busts of famous Norwegians are also on permanent display. In addition, the museum still features a workshop for art lessons. The facility opened in 1996 and is operated in association with the Stiklestad National Culture Centre.[10]
Nearby is a sculpture park, Muustrøparken. Nils Aas had donated eight sculptures to the park, including 6 small and 2 large sculptures.[11]
Multicomplex Management (MCM) Expected Creative Potential (ECP) Picture 1 - Organization Structure
Organization Structure Model used: Nordic Industrial Fund - Nordic Council of Ministers – Bio & Chemistry Division (BCD) - Division REI-activities (Research / Education / Innovation): 5 programmes: NordFood, Nordic Wood, NordPap, NordBio and NordYeast; 748 projects; 6.000 participating private and public companies, institutions, organizations and agencies in 62 countries. BCD connected 180.000 researchers, operators, engineers, technicians and company, organization and agency executives (1998). BCD was - in combination with NordTek (the organization managing the cooperation of the 23 Nordic technical universities) - the largest industrial and technological REI-network in Northern Europe. BCD was a 27.000 ECP Organization connecting 275.000 people totalling 2.8 million ECP. Photo on Picture 1: Hans Bruno Lund visiting the governor of Oulu province, Finland Dr. Eino Siuruainen during a NordTek seminar.
Multicomplex Management (MCM) is explained in Picture 2, 04.
Expected Creative Potential (ECP) is explained in Picture 2.
Pictures to Multicomplex Management (MCM): 1, 2, 3, 4, 5, 6, 7, 8,
9, 10, 11 and 12.
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A MULTICOMPLEX ORGANIZATION STRUCTURE - ORGANIZATION
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NORDIC INDUSTRIAL FUND (NIF)
NORDIC COUNCIL OF MINISTERS (NCM)
BIO & CHEMISTRY DIVISION (BCD)
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CONTENTS
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1 BIO & CHEMISTRY DIVISION (BCD)
1.1 NIF HISTORY
1.2 BCD BUSINESS IDEA
1.3 BCD OPERATION AREA
1.4 BCD OPERATION AREA INHABITANTS
1.5 BCD PARTNER-COUNTRIES AND AUTONOMOUS AREAS
1.6 BCD GEOGRAPHIC OPERATION REGIONS
1.7 BCD PARTNERS
1.8 BCD ACTIVITIES
1.9 BCD ORGANIZATION STRUCTURE
1.9.1 - MANAGEMENT
1.9.2 - BIO INDUSTRIAL COMPLEX (BIO)
1.9.3 - FOOD INDUSTRIAL COMPLEX (FOO)
1.9.4 - FOREST INDUSTRIAL COMPLEX (FOR)
1.9.5 - OTHER INDUSTRIAL AREAS (OIA)
1.9.6 BCD – HISTORY AND ACHIEVEMENTS – A RESUME
2 MULTICOMPLEX MANAGEMENT (MCM) LITERATURE
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1.1 NIF HISTORY
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NIF HISTORY
NIF was established 1973 (the Helsinki Treaty). In 1987 the organization expanded by taking over the activities of NordForsk (a Nordic government agency for basic research). In the new century the activities of NIF (and BCD) were split up between two new-established organizations: A new NordForsk (basic research) and Nordic Innovation Centre (NICe)(applied research and innovation).
BCD (one of NIF's two divisions) was operational from 1991 to 1999.
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1.2 BCD BUSINESS IDEA
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BCD BUSINESS IDEA
Initialization, expansion and utilization of Nordic and Nordic / international cooperation networks between relevant partners from the private and the public sectors to the benefit of the Nordic countries´ competitiveness and the wealth and health of their inhabitants and based on internordic / international cooperation projects as the primary tool and improved and new concepts, methods, technologies and products as valuable spinoffs.
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1.3 BCD OPERATION AREA
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BCD OPERATION AREA
Approx. 22 million square km
Land: Approx. 6 million square km
Oceans and seas: Approx. 16 million square km
The water quality of the oceans and seas surrounding
the Nordic countries is of extreme importance to the
Nordic economies and the inhabitants health and qua-
lity of life. To protect and improve water quality at land as
well as at sea was therefore a substantial goal in almost
all BCD projects.
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1.4 BCD OPERATION AREA INHABITANTS
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BCD OPERATION AREA INHABITANTS
Approx. 45 million
Nordic Countries: Approx. 24 million
Baltic Countries: Approx. 7 million
North West Russia: Approx. 14 million
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1.5 BCD PARTNER-COUNTRIES AND AUTONOMOUS AREAS
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BCD PARTNER-COUNTRIES AND AUTONOMOUS AREAS
Aland Islands
Denmark
Estonia
Faroe Islands
Finland
Greenland
Iceland
Latvia
Lithuania
North West Russia
Norway
Sweden
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1.6 BCD GEOGRAPHIC OPERATION REGIONS
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A BCD project must have participants - private and public partners - from at least two - better three or four - Nordic countries. Most geographic regions has their specific profile in regard to industry, centers of excellence, inhabitants, culture, nature, environment etc. To identify the optimal combination of partners for a project to be initiated it can sometimes be useful to identify and select partners from related geographic regions in relation to the above mentioned parameters. BCD has 67 geographic operation regions:
Denmark: 11
Finland: 9
Iceland: 9
Norway: 10
Sweden: 8
Estonia: 3
Latvia: 3
Lithuania: 3
North West Russia: 11
The geographical allocation of BCD´s approx.
10.000 Project Participant Representatives and
other superior officers in the Nordic Countries:
(Project Participant Representatives and
other superior officers in other countries approx.
1.000).
DEN-00 Denmark 1.972
DEN-01 København 220
DEN-02 Lyngby 730
DEN-03 Nordsjælland 91
DEN-04 Øvrige Sjælland 123
DEN-05 Fyn 82
DEN-06 Kolding 132
DEN-07 Herning 137
DEN-08 Århus 228
DEN-09 Aalborg 163
DEN-10 Færøerne 47
DEN-11 Grønland 19
FIN-00 Finland 2.089
FIN-01 Helsinki & Espoo 1.274
FIN-02 Turku ( Åbo) 189
FIN-03 Tampere 194
FIN-04 Jyväskylä 57
FIN-05 Lappeenranta 105
FIN-06 Vaasa 108
FIN-07 Kuopio 35
FIN-08 Joensuu 31
FIN-09 Oulu / Kemi 96
ICE-00 Iceland 513
ICE-01 Reykjavik 396
ICE-02 Keflavik 42
ICE-03 Akranes 13
ICE-04 Isafjördur 11
ICE-05 Saudarkrökur 8
ICE-06 Akureyri 15
ICE-07 Egilsstadir 20
ICE-08 Selfoss 5
ICE-09 Vestmannaeyjar 3
NOR-00 2.173
NOR-01 Oslo 646
NOR-02 Ås 301
NOR-03 Moelv 231
NOR-04 Porsgrunn 217
NOR-05 Stavanger 167
NOR-06 Bergen 97
NOR-07 Ålesund 90
NOR-08 Trondheim 329
NOR-09 Bodø 39
NOR-10 Tromsø 56
SWE-00 3.202
SWE-01 Stockholm 868
SWE-02 Lund / Malmö 427
SWE-03 Halmstad 178
SWE-04 Göteborg 402
SWE-05 Borås 329
SWE-06 Norrköping 241
SWE-07 Uppsala 304
SWE-08 Sundsvall 213
SWE-09 Luleå 240
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1.7 BCD PARTNERS
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BCD PARTNERS
Private and public companies
Private and public organizations
Universities
Technological institutes
Governments
Government agencies
Other relevant partners
Partners: approx. 6.000 in 62 countries
Private area partners: approx. 4.800
Public area partners: approx. 1.200
See:
Flickr, Hans Bruno Lund´s photostream:
"Multicomplex Management (MCM) Picture 3
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1.8 BCD ACTIVITIES
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BCD ACTIVITIES
Research
Education
Innovation
Visits
Exchanges
Meetings
Seminars
Workshops
Cources
Reports
Articles
Newsletters
Presentations
Posters
WEB-Activities
Improved Concepts
New Concepts
Improved Methods
New Methods
Improved Technologies
New Technologies
Improved Products
New Products
Patents
Evaluation of Results
Dissemination of Results
Improved Nordic Networks
New Nordic Networks
Improved Nordic/International Networks
New Nordic/International Networks
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1.9 BCD ORGANIZATION STRUCTURE
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BCD ORGANIZATION STRUCTURE
Upper right in the picture
REI = Research-Education-Innovation
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1.9.1 MANAGEMENT
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MANAGEMENT
Management (sand-colored areas/elements)
Head of Division: Hans Bruno Lund (DEN)
Division Director BIO: Marianne Damhaug (NOR) until 1992
Division Director FOOD/OIA: Maija Uusisuo (FIN)
Division Director BIO/FOREST/OIA: Juhani Kuusilehto (FIN)
Deputy Division Director FOREST: Per Brenøe (DEN)
Associate Division Director OIA: Peter Göranson (SWE)
Associate Division Director OIA: Svein Østevik (NOR)
Associate Division Director OIA: Snæbjörn Kristjansson (ICE)
Other Division Administration Staff: 11 officers
Division Advisers: 16
DIVISION REI Areas: 92
DIVISION REI Subareas: 1.200
DIVISION Programmes: 5
DIVISION Part Programmes: 20
DIVISION REI Projects: 748
DIVISION REI Part Projects: approx. 3.000
DIVISION Senior Officers: 370
DIVISION Project Managers: 649
DIVISION Part Project Managers: approx. 2.500
DIVISION Other Officers: approx. 28.000
DIVISION Network Participants (People): approx. 278.000 (incl. NordTek)
DIVISION Network ECP: approx. 2.800.000 (incl. NordTek)
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1.9.2 BIO INDUSTRIAL COMPLEX (BIO)
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BIO INDUSTRIAL COMPLEX (BIO)
(blue-colored areas/elements)
Marianne Damhaug (NOR)
Juhani Kuusilehto (FIN)
REI = Research-Education-Innovation
BIO REI Areas: 22
BIO REI Subareas: 340
BIO Programmes: 2 - NORDYEAST & NORDBIO
BIO Part Programmes: 6
BIO REI Projects: 188
BIO REI Part Projects: approx. 750
BIO Senior Officers: 122
BIO Project Managers: 213
BIO Part Project Managers: approx. 640
BIO Other Officers: approx. 7.000
BIO Network Participants (People): approx. 45.000
BIO Network ECP: approx. 535.000
BIO REI Areas:
02 Antibodies and Antigens
04 BioEnergy
05 Biomimetic Materials
06 Bioprocess Engineering
07 BioScience and BioTechnology
20 Environmental BioTechnology
21 Environmental Technology
24 Food BioTechnology
30 Genes and GeneTechnology
35 Industrial Enzymes
37 Marine Biology and BioTechnology
40 BioHydroMetallurgi
45 NeuroBiology and InformationsTransfer
47 Biological OffGas Treatment
50 Physiological Engineering
Project example with Part Projects:
Z508 Physiological Engineering:
Part Projects:
Z508.1 Energy and redox balances during aerobic growth
Z508.2 Regulation of energy flux at anaerobic conditions
Z508.3 Xylose metabolizing Saccharomyces cerevisiae
Z508.4 Physiological responses of Sac.Cer. to SubConVar
Z508.5 Morphological charact. of Penicillium chrysogenum
Z508.6 Morphology and amylase production in Aspergillus oryzae
The Research Team:
Albers, Eva
Alexander, N J
Anderlund, Mikael
Bao, Xing
Carlsen, Morten
Christensen, Lars H
Deleuran, Jan
Edelmann, Kari
Ehlde, Magnus
Einarsson, Sigbjørn
Eliasson, Anna
Ellingsen, Trond
Enari, Tor-Magnus
Enfors, Sven-Olof
Flenø, Bent
Franzén, Carl J
George, Stefan
Gram, Jens
Granstrøm, Tom
Gustafsson, Lena
Hahn-Hägerdal, Bärbel
Haldrup, Anna
Hallborn, J
Hansen, Tronn
Hjortkjær, Poul
Holmgreb, K
Jeppsson, Helena
Johansen, Kenneth
Johansson, Björn
Jørgensen, Birthe R
Karsbøl, Birgitte
Klein, Christopher
Korhola, Matti
Krabben, Preben
Kristjansson, Jakob
Larsen, Susanne Slot
Larsson, Christer
Larsson, Gen
Lidén, Gunnar
Londonsborough, John
Meinander, Nina
Michelsen, M L
Mikkelsen, Jørn D
Mølgaard, Henrik
Mørkeberg, R
Nielsen, Jens (Project Manager)
Niklasson, Claes
Nilsson, Annika
Nybergh, Paula
Ojamo, Heikki
Olkku, Juhani
Olsson, Lisbeth
Overballe-Petersen, C
Pakula, Tiina
Palmqvist, Eva
Parkkinen, Elke
Peltola, Petri
Penttilä, Merja
Pettersson, Lennart
Pham, Hop
Prior, B A
Pronk, Jack
Påhlman, Inga-Lil
Rasmussen, Preben
Reuss, Mathias
Ruohonen, Laura
Rønnow, Birgitte
Salminen, Antti
Salonen, Laura
Santerre, Anne
Schmidt, Karsetn
Schulze, Ulrik
Skoog, K
Skov, Allan
Smits, Hans Peter
Spohr, Anders
Suhr-Jessen, Trine
Søderblom, Tore
Taherzadeh, Mohammad
Thevelein, J
Thomas, Colin
Toma, Simona
Tufvesson, Göran
Valadi, Hadi
van Dam, Karel
van Dijken, J P
Villadsen, John
Visser, Jaap
Walfridsson, Mats
Winell, Anna
Winge, Michael
Zacchi, Guido
Zimmerman, Friedrich
Aarts, Robert
Participants:
Alko Oy
Amsterdam University
Birmingham University
Bryggerilaboratorium Oy AB
Chalmers Technical University
Cheminova A/S
Danisco Biotechnology A/S
Delft University of Technology
Dumex A/S
Göteborg University
IceTec
Kungliga Tekniska Högskolan
Lahden Poltimo Oy
Novo Nordisk A/S
Pripps AB
Primalco Oy
SINTEF
Skåne Brännerier AB
Technical University of Denmark
Technische Universität Darmstadt
Universität Stuttgart
VTT
Waageningen University
51 PlantCell Biology and BioTechnology
57 Protein Engineering
Project examples (without listing Part Projects):
Z037 Fluid dynamics and mass transfer in bioreactors (BR)
Z038 Physiological effects of oscillating fermentation parameters
Z039 Kinetics of cell responce to local conc. gradients in BR
Z040 Multi-dimensional modelling of flow-processes in BR
Z041 On-line HPLC control of mammalian cell bioreactors
Z042 Bioprocess monotoring system based on ESC / HEU
Z043 Implementation of biosensors in process environments
Z044 Mechanisms of foaming in bioreactors
Z045 Productivity of bioreactors (I)
Z046 Productivity of bioreactors (II)
63 Recycling
73 Thermophilic and Psychrophilic Organisms
74 Waste and WasteWater Treatment
75 Yeast and YeastTechnology
84 LifeCycle Assessment (LCA)
NORDYEAST
Project examples (without listing Part Projects):
Z001 Protein secretion and glycoprotein production in Sac.Cer.
Z002 Molecular cloning and expression of genes by key enzymes
Z003 Cloning and studies of DNA coding for g-3-p-d of Sac.Cer.
Z004 Membrane bound IPP in mitochondria from Sac.Cer.
Z005 Cloning of DNA alkylation genes from yeast
Z006 Regulation of methionine-threonine biosynthesis
Z007 Studies on genetic recombination in Sac.Cer.
Z008 MS of the DNA gene sequence in Saccharomyces Cerevisiae
Z009 Exp. and sec. in yeast of human parathyroid hormone
Z010 RNA polymerases and TF in transcription of RNAs
NORDBIO
NORDBIO Part Programmes:
NB-01 Protein Engineering
NB-02 Bioprocess Engineering
NB-03 Plant Cell Biotechnology
NB-04 Thermophiles and Psychrophiles
NB-05 Food Biotechnology
NB-06 Environmental Biotechnology
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1.9.3 FOOD INDUSTRIAL COMPLEX (FOO)
------------------------------------------------------------
FOOD INDUSTRIAL COMPLEX (FOO)
(orange-colored areas/elements)
Maija Uusisuo (FIN)
REI = Research-Education-Innovation
FOO REI Areas: 10
FOO REI Subareas: 180
FOO Programmes: 1 - NORDFOOD
FOO Part Programmes: 4
FOO REI Projects: 125
FOO REI Part Projects: approx. 500
FOO Senior Officers: 37
FOO Project Managers: 107
FOO Part Project Managers: approx. 425
FOO Other Officers: approx. 5.000
FOO Network Participants (People): approx. 30.000
FOO Network ECP: approx. 360.000
FOO REI Areas:
03 Aquaculture
11 Cereals
22 Fishery and Fish
Project examples (without listing Part Projects):
Z217 Nordisk Blåvilling
Z290 Frysfartyg
Z339 Atlantic Salmon
Z346 Hippoglossus
Z437 Landbaserte Anlegg
Z461 Monotoring and PC in Aquaculture
Z483 Hälleflundra, Torsk och Havskat
Z563 CIMFISK - IT in Fish Fillet Factories
Z570 BENEFISH - New Technologies in the Nordic Fishindustries
Z594 Havmiljøets påvirkning af fisks reproduktionsevne
23 Fish Diseases
25 Food Hygiene
26 Food Packaging and Transportation
27 Food Processing
Project examples (without listing Part Projects):
Z120 Cleaner production
Z121 Environmental beer production
Z122 Water in fish industry
Z123 Nordic shellfish
Z124 Value from heads
Z125 Water jet deboning
Z126 Aseptic safety
Z127 Probiotic foods
Z128 Rye technology and its influence on health
Z129 Structures in food fat
28 Food Quality
29 Food Technology
Project examples (without listing Part Projects):
Z103 Fish - Packaging and Transportation
Z104 Aroma Transfer in PET
Z105 Shelf Life Prediction
Z107 Salmon Quality
Z108 Microbial Antagonists
Z109 Managing the Meat Tend Process
Z110 Sensoric Calibration
Z111 Fluorescence Screening
Z112 Quality of Emulsions
Z113 Lean Logistics
Let us as an example take a closer look at
Project Z115 On Line Measuring Control
Project Participants
Denmark
Bioteknologisk Institut
Paaske Jensen
Danisco Sugar Development
Ole Hansen
Danmarks Fiskeriundersøgelser
Erling Larsen
Fødevaregruppen
Finn Holm
KVL
Lars Munk
Lactosan A/S
Jørgen Schmidt
Meincke A/S
Peter Clausen
Slagteriernes Forskningsinstitut
J Rud Andersen
Foss Electric A/S
Torben Lapp
Reciprotor Engineering A/S
Per Andersen
Q-Interline
Anders Larsen
Steins Laboratorium A/S
Jakob Korsgaard
Finland
Ingman Foods Oy AB
Hans Ingman
Process Flow Ltd Oy
Björn Jernström
Saarioinen Oy
Mirja Rautakoski
Oy Snellman AB
Rolf Snellman
Sucros Oy
Juha Oravainen
Hutiia Research Centre
Jonas Slotte
VTT Bio- & Livsmedelsteknik
Arvo Kinnunen
Software Point Oy
Andrea Holmberg
Iceland
Fiskeriindustriens Forskningsinstitut
Helga Eyjófsdóttir
Marel HF
Sigurpáll Jonsson
Milk Distribution Centre
Einar Matthiasson
IceTec
Hannes Hafsteinsson
Univesity of Iceland
Kristberg Kristbergsson
Landbruges Forskningsinstitut
Gudjón Torkelsson
Industriforbundet
Ragneidur Hédinsdóttir
Norwegen
Mills DA
Narinder Singh
Maarud A/S
Terje Drøyvold
A/S Margarinfabrik Norge
Aziz Fooladi
Matforsk
Jens Petter Wold
Nerliens Kemisk-Tekniske A/S
Vigdis Rustad
Norges Lantbrukshøgskole
Ingolf F Nes
Norsk Kjøtt
Ole-Johan Røtterud
Tine Norske Meierier BA
Svein Kloster
T Skretting A/S
Astrid Staumbotn
Stabburet A/S
Anita Bakker
SINTEF Kjemi Havbruk
Marit Aursand
Sweden
Abba Seafood AB
Göran Sjögren
Procordia Food AB
Ene Pilman-Willers
Lunds Universitet Kemicentrum
Ingegerd Sjöholm
Kraft Freia Marabou AB
Thomas Wassholm
Oleinitec AB
Marlene Jegeborn
Arla F&U
Clas Johan Dahlsten
Pentronic AB
Roland Gullqvist
Pripps AB
Klas Johansson
Pååls Bröd AB
Bo Folkesson
Radians Innova AB
Bengt Kleman
SIK
Christana Skjöldebrand (Project Manager)
Sveriges Lantbruksuniversitet
Ingemar Hansson
STFi
Anders Pettersson
Charkdelikatesser AB
Anna-Karin Norén
Svenska Nestlé AB
Anita Johansson
Foss Sverige AB
Ingrid Mild / Niklas Persson
Tekniska Högskolan Linköping
Alexander Lauber
Tetra Pack Food AB
Christer Lanzingh
Wasabröd AB
Bengt Carlson
Köttforskningsinstituttet
Magnus Wahlgren
Nestlé R&D AB
Jennifer Cloke
Bergman & Beving Process AB
Per Henriksson
Teltec Electronic AB
Philip Dahl
Candelia AB
Urban Eriksson
Sensor Control AB
Björn Zetterberg
Danfoss AB
Anders Leidermark
Nordic Sensor Technologies AB
Andreas Bunge
Electrona-Sievert AB
Alf Mikkelä
Mettler-Toledo AB
Peter Tinér
Korsnäs AB
Jan Jynnskog
Sigma Teknik AB
Stellan Lundberg
Foss Tecator AB
Karin Thente
The participating industrial companies
had on a global basis:
Revenue: 100 billion €
Employees: 500.000
53 Polysaccharides
NORDFOOD
NORDFOOD Part Programmes:
NF-01 Food Packaging and Transportation
NF-02 Food Quality
NF-03 Food Hygien
NF-04 Food Processing
One out of several significant milestones achieved as a result of NORDFOOD was the set up of the European REI cooperation SAFEFOODERA – Safer food for 446 million people. Headed by two of BCDs former executive officers Mr. Ola Eide from Norway and Mr. Oddur Már Gunnarsson from Iceland the National Food Authorities of 18 European countries now works together to improve food quality and food hygiene. The 18 countries are: Basque Country, Belgium, Cyprus, Denmark, Finland, France, Germany, Hungary, Iceland, Italy, Netherlands, Norway, Poland, Portugal, Slovenia, Sweden, Turkey and United Kingdom.
Over the years hundreds of Nordic Industrial Fund REI projects or initiatives has resulted in expanded efforts with new European partners under the auspices of the EU research programmes or EUREKA.
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1.9.4 FOREST INDUSTRIAL COMPLEX (FOR)
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FOREST INDUSTRIAL COMPLEX (FOR)
(green-colored areas/elements)
Juhani Kuusilehto (FIN)
Per Brenøe (DEN)
REI = Research-Education-Innovation
FOR REI Areas: 13
FOR REI Subareas: 220
FOR Programmes: 2 - NORDPAP & NORDIC WOOD
FOR Part Programmes: 10
FOR REI Projects: 170
FOR REI Part Projects: approx. 680
FOR Senior Officers: 78
FOR Project Managers: 103
FOR Part Project Managers: approx. 570
FOR Other Officers: approx. 6.000
FOR Network Participants (People): approx. 40.000
FOO Network ECP: approx. 475.000
FOR REI Areas:
49 Paper as Carrier of Informations
54 Printing Technology
58 Pulp and Paper Bleaching
59 Pulp and Paper Fibers
Project examples (without listing Part Projects):
Z133 Pot. titrering och polyelektrolyttitrering
Z134 Ytsammensättning, ytenergi och syra-base-egenskaper
Z135 Anvendelse av dielektrisk spektroskopi
Z136 Karakterisering av fiber med biotekniska metoden
Z137 Elektromikroskopi
Z138 Konfokal mikroskopi og billedanalyse
Z139 Porstorlek v.h.a. omvendt storlek kromatografi
Z140 Porstorlek v.h.a. NMR-metodik
Z141 Cellulosens reaktivitet og krystallinitet
Z142 TB-method för mättning av specific yta
60 Pulp and Paper EU-Standardization
61 Pulp and Paper Technology
76 Environmental Properties of Wood
77 Properties and Applications of Nordic Wood
78 Nordic Wood as a Construction Material
79 Marketing of Nordic Wood
80 Nordic Wood and the Asian Markets
81 Wood Production
83 Wood Technology
Project examples (without listing Part Projects):
Z177 Trä och miljö
Z527 Skog-Trä-Miljö
Z528 Miljödeklaration
Z529 Trä-F&U-Miljöinformation
Z530 Spånplader i møbelindustrien
Z531 Furu Kjernved
Z178 Datorprogram Limträ
Z179 Brandsäkra trähus
Z532 Våtlimede byggkomponenter
Z181 Styrkesortering ger mervärde
NORDPAP
NORDPAP Part Programmes:
NP-01 Pulp and Paper Fibers
NP-02 Pulp and Paper Bleaching
NP-03 Paper as Carrier of Informations
NP-04 Pulp and Paper EU-Standardization
NORDIC WOOD
NORDIC WOOD Part Programmes:
NW-01 Environmental Properties of Wood
NW-02 Properties and Applications of Nordic Wood
NW-03 Nordic Wood as a Construction Material
NW-04 Marketing of Nordic Wood
NW-05 Nordic Wood and the Asian Markets
NW-06 Wood Production
We often think that cross-border REI activities, regional or global, are the playground for large enterprises as it is often the case. BCD had more than 70% of the largest Nordic enterprises as active project participants.
Very encouraging was the fact that many SMB´s found their way to Nordic REI cooperation.
In NORDIC WOOD as an example 21 carpenter guilds from the following small or mediumzised Danish towns participated in the research: ESBJERG, FREDERICIA, FREDERIKSHAVN, HADERSLEV, HERNING, HILLERØD, HJØRRING, HOLSTEBRO, KOLDING, MARSTAL, NYKØBING FALSTER, ODENSE, RANDERS, ROSKILDE, SILKEBORG, SKIVE, SVENDBORG, SØNDERBORG, ÅBENRÅ, AALBORG / NØRRESUNDBY and ÅRHUS cooperated with large companies such as ABB, AKZO NOBEL, ASSI-DOMÄN, COWI, ENZO-GUTZEIT and IKEA.
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1.9.5 OTHER INDUSTRIAL AREAS (OIA)
--------------------------------------------------------------------------------------------
OTHER INDUSTRIAL AREAS (OIA)
(red- and brown-colored areas/elements)
Juhani Kuusilehto (FIN)
Peter Göranson (SWE)
Svein Østevik (NOR)
Maija Uusisuo (FIN)
Snæbjörn Kristjansson (ICE)
REI = Research-Education-Innovation
OIA REI Areas: 48
OIA REI Subareas: 460
OIA Programmes: 0
OIA Part Programmes: 0
OIA REI Projects: 265
OIA REI Part Projects: approx. 1.060
OIA Senior Officers: 106
OIA Project Managers: 226
OIA Part Project Managers: approx. 900
OIA Other Officers: approx. 10.000
OIA Network Participants (People): approx. 64.000
OIA Network ECP: approx. 760.000
OIA REI Areas:
01 Allergy Research
09 Cancer Research
10 Catalysis and Catalysts
12 Chemical Fibers and Polymers
13 Chemistry and Chemical Technology
Project examples (without listing Part Projects):
Z194 Miljö i garverier
Z198 Olieseparation
Z200 Chromgarvningsmetode
Z207 Korrosionsskyddfärg
Z595 Biotannor
Z497 Adsorption av polymerer
Z578 Lut- och syraprocess
Z492 Processregulering
Z491 Styrd denitrifikation
Z475 Crude oil emulsions
14 Colours and Paints
15 Concrete Technology
16 Corrosion
32 Hormones
33 Immunology and ImmunoTechnology
34 Implantations and ImplantationTechnology
39 Medicine-Pharma-Health
41 Mineralogy and Minerals
48 Offshore Technology
52 Plasma and PlasmaTechnology
69 Supercritical Technologies
70 Surfaces and SurfaceTechnology
71 Tanning and TanningTechnology
08 Business Development
17 Culture and Technology
22 Expert Systems
31 Global REI-Relations
36 Information Technology
38 Measuring Technology
42 Molecule Structures and Modelling
43 NanoTechnology
55 ProcessTechnology
56 Product Development
62 Product Quality & Quality Management
64 Research Management
66 Sensors and SensorTechnology
67 Simulation and Modelling
68 SMBs
72 Technolgy Management
82 Systems Research and Development
44 REI Networks
18 Doctoral Education
19 Engineering Education
46 Technical Universities
Project examples (without listing Part Projects):
NTU = Nordic Technical Universities
Z476 NTU Students Seminar (NTUSS)
Z540 Nordic Industrial Researcher Education Programme (NIREP)
Z551 NTU Students Exchange Programme (NTUSEP)
Z555 NTU PhD Students Exchange Programme (NTUPSEP)
Z584 NTU Presidents Meeting & Industrial Seminar Norway 1993
Z513 NTU Presidents Meeting & Industrial Seminar Iceland 1994
Z517 NTU Presidents Meeting & Industrial Seminar Denmark 1995
Z520 NTU Presidents Meeting & Industrial Seminar Finland 1996
Z633 NTU Presidents Meeting & Industrial Seminar Sweden 1997
Z722 NTU Presidents Meeting & Industrial Seminar Norway 1998
65 Technology Forecasting
85 Regional Development
86 Materials Technology - Aluminium
87 Materials Technology - Ceramics
88 Materials Technology - Composites
89 Materials Technology - Simulation
90 Materials Technology - Surfaces
91 Materials Technology - Steel
92 General Materials Technology
Project examples (without listing Part Projects):
Z275 Oxidceramics
Z282 Zeolites
Z398 Eurodyn - High Technology Gas Turbine
Z591 Material - POM - Polyacetal
Z648 Composites and Sandwich Structures in Ship Construction
Z678 SOL Materials
Z683 Ferroalloys in the Nordic Countries
Z684 Tribology (Friction - Lubrication - Wear)
Z688 Fenite Element Analysis (FEA) in the Automotive Industries
Z713 Nordic Aluminium Cluster (NAC)
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1.9.6 BCD – HISTORY AND ACHIEVEMENTS – A RESUME
--------------------------------------------------------------------------------------------
More than 25 million people in the Nordic countries – and many more around the World – are each day and many times using or consuming products which were created or improved in one of the Nordic Industrial Fund´s Bio & Chemistry Division´s more than 50.000 research-, education- and innovation activities. More than 500.000 engineers, technicians, workers, university teachers, students, researchers, managers and officials from the 5 Nordic countries have – from a start in 1973 – gained new knowledge in their combined efforts to improve Nordic competitiveness, the Nordic environment and the health and quality of life of the countries populations and in many cases in crossborder cooperation with industrial and institutional partners from 57 other countries. --------------------------------------------------------------------------------------------
2 MULTICOMPLEX MANAGEMENT (MCM) - LITERATURE
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Lund, Hans Bruno
Multicomplex Management (MCM)
CD-ROM, 678 colored illustrations
Dr. Hans Bruno Lund, Management Consultant
Skodsborg
Denmark
2009
Can a waste basket become a work of art? Unquestionably. Stand across the room in your home office and work on your ten foot jumpers.
Wardruna - Yggdrasil
Indie Recordings
Release date 25th of March 2013 (22.03.13 Norway and G/A)
Norwegian heathens Wardruna have completed work on their latest album ‘Yggdrasil’, which is set for release on Indie Recordings on March 25th 2013.
Four years has passed since Wardruna enchanted their listeners with their mesmerizing debut album ‘gap var Ginnunga’, which also was the first part of a planned trilogy. In the ensuing years the group have spent a lot of time on adapting their music to a live format and establishing a live band. This resulting in a handful of very special concerts, perhaps most notably when they performed in front of the majestic 1100-year-old Gokstad ship at the Viking Ship Museum in Norway.
With the use of the oldest of Nordic instruments and poetic metres as well as lyrics written in Norwegian, Old Norse and Proto-Norse tongue, Wardruna is now, after nearly three years in the making, finally ready to return with the second album in the ‘Runaljod’ trilogy entitled ‘Yggdrasil’. Multi-instrumentalist and songwriter Einar Kvitrafn Selvik has, together with vocalists Kristian Espedal (aka Gaahl) and Lindy-Fay Hella, managed to make a strikingly beautiful and intense continuation of what was started with their first album, but without falling into the trap of merely repeating themselves. ‘Yggdrasil’ is also graced with guest appearances by renowned Icelandic composer Hilmar Örn Hilmarsson and Iceland’s leading rímur singer Steindór Andersen.
The ongoing ‘Runaljod’ trilogy is a musical rendition of the 24 runes in what is often referred to as the elder futhark. Some of the recordings are done outdoors in places or under circumstances of significance to each rune. Wardruna primarily use old and historical instruments such as primitive deer-hide frame drums, Kraviklyra, tagelharpe, mouth harp, goat horn, lur and more. Non-traditional instruments and other sources of sound like trees, rocks, water and torches are also used.
All of these elements are carefully woven into a rich musical landscape and complemented with whispering voices, melodic song and mighty choirs. Although Wardruna’s music share characteristics with music typically labeled as folk, world and/or ambient, none of these genres can really describe their unique style. It truly must be experienced.
‘Yggdrasil’ was written and recorded by Kvitrafn from spring 2010 to winter 2012 at his own Fimbulljóð studio and various outdoor locations.
Produced by Kvitrafn
Mastered by Kvitrafn
Mixed by Kvitrafn
On June 1922 King Vittorio Emanuele III (Victor Emanuel III) and his wife, Queen Elena of Montenegro, visited King Christian X and Denmark in a three day official visit. The main event was the laying of the foundation stone of a new monument dedicated to Dante Alighieri at Dante's Square, in Copenhagen. During these days they also visited the Museum Thorwaldsen (dedicated to the well known sculptor who lived all his life in Italy), the Copenhagen Town Hall and the Hermitage.
In the photo you can see King Victor Emmanuel III on the left and King Christian X on the right. Behind them there are some Danish Royal Life Guards.
On reverse: “Alfredo Cagliani - Copenaghen – Danimarka”.
Photographer: Alfredo Cagliani (?).
Location: Copenhagen
Date: June 1922.
About Dantes Plads:
Dantes Plads is a public square located in front of the Ny Carlsberg Glyptotek where it connects H. C. Andersens Boulevard to Vester Voldgade in central Copenhagen. In 1921, it was decided to mark the 600-years anniversary of Dante Alighieri's death with a monument. Some Danish expats in Rome raised money for the monument which was designed by the sculptor Einar Utzon-Frank in collaboration with the architect Carl Brummer. It consists of a bronze statue of Beatrice mounted on the top of an antique column which was a gift from the city of Rome.
The drawing for the pedestal was supplied by architect Gunnar Biilman Petersen, while a bronze plate depicting the poet was made by the Italian sculptor SL Andreotti. The portrait was a gift from the city of Florence.
The laying of the foundation stone took place on 23 June 1922 and it was completed on August 1924.
WARDRUNA: Norwegian Folk Ensemble Issues Special Yggdrasil Digibook In North America Via Indie Recordings; Einar Kvitrafn Selvik To Appear In History Channel's Vikings Series
Initially released in 2014, Yggdrasil is the second release of the stunning Runaljod trilogy from Norwegian heathens, WARDRUNA.
The ongoing Runaljod trilogy, which began with 2009's Gap Var Ginnunga, is a musical rendition of the twenty-four runes in what is often referred to as the "elder futhark." Some of the oldest of Nordic instruments such as primitive deer-hide frame drums, kraviklyra, tagelharpe, mouth harp, goat horn and lur are implemented, while poetic metres and lyrics are written in Norwegian, Old Norse and Proto-Norse tongue. Some of the recordings are captured outdoors or under circumstances of significance to each rune while other sources of sound like trees, rocks, water and torches are used. All of these elements are carefully woven into a rich musical landscape and complemented with whispering voices, melodic song and mighty choirs.
With Yggdrasil, multi-instrumentalist and songwriter Einar Kvitrafn Selvik has, together with vocalists Kristian Espedal (aka Gaahl) and Lindy-Fay Hella, managed to create a strikingly beautiful and intense continuation of what was started with their first album, but without falling into the trap of merely repeating themselves. Yggdrasil is also graced with guest appearances by renowned Icelandic composer Hilmar Örn Hilmarsson and Iceland's leading rímur singer Steindór Andersen.
Yggdrasil was written and recorded by Kvitrafn from Spring 2010 to Winter 2012 at his own Fimbulljóð studio and various outdoor locations and will be made available for the first time in CD-digibook format via Indie Recordings on February 24th, 2014. The Yggdrasil digibook is the only version where you can find complete lyrics with English translations as well text on the runes. Order your copy today at THIS LOCATION.
In related news, Kvitrafn will appear in History Channel's Vikings series. Vikings is inspired by the sagas of Viking Ragnar Lothbrok, one of the best-known mythological Norse heroes and notorious as the scourge of England and France. It portrays Ragnar as a former farmer who rises to fame by successful raids into England with the support of his family and fellow warriors: his brother Rollo, his son Bjorn, and his wives-the shieldmaiden Lagertha and the princess Aslaug. WARDRUNA's music has appeared widely in the series previously, and will also be found extensively in the series' forthcoming season. Kvitrafn will appear in the third season, which is scheduled to air on February 19th, 2015.
"I really enjoy being a part of the musical artillery of the series and I was truly honored when production asked me if I was interested in making a small musical appearance in front of the camera as well," Kvitrafn elaborates. "The production, director and actors was all very welcoming and so it was all in all a great experience for me! Before the first season was premiered," he continues, "I was contacted by the production team because they wanted to license some songs. They were very pleased with how the music worked out and what it contributed to the show so they got in touch again for season two where they in addition to using WARDRUNA music asked if I would be interested in working together with the series' award-winning composer, Trevor Morris. So we tried it and we all liked how it worked and we have continued our collaboration onto the score of the third season that premieres next week. It is great fun to be part of this and I've learn a lot from it. Even though the series, for several reasons, cannot create everything one-hundred-percent authentic they do have a genuine desire to do as much as they can to create a more nuanced and correct view on the Vikings and they constantly hunt for authentic details to include. It's no secret that I am a Nordic-history nerd of giant proportions - therefore it is very pleasing when they ask me for such details from time to time."
"Yggdrasil lives up to its name - that of the giant tree central to Norse mythology - by stretching out into both darkness and light, a musical ying and yang, like branches creeping into sunlight as they grow up out of a shadowy forest. - The Quietus
"...something quite remarkable, and nothing quite like you've heard before." -- Echoes And Dust
For further info contact liz@earsplitcompound.com.
Wardruna - Yggdrasil
Indie Recordings
Release date 25th of March 2013 (22.03.13 Norway and G/A)
Norwegian heathens Wardruna have completed work on their latest album ‘Yggdrasil’, which is set for release on Indie Recordings on March 25th 2013.
Four years has passed since Wardruna enchanted their listeners with their mesmerizing debut album ‘gap var Ginnunga’, which also was the first part of a planned trilogy. In the ensuing years the group have spent a lot of time on adapting their music to a live format and establishing a live band. This resulting in a handful of very special concerts, perhaps most notably when they performed in front of the majestic 1100-year-old Gokstad ship at the Viking Ship Museum in Norway.
With the use of the oldest of Nordic instruments and poetic metres as well as lyrics written in Norwegian, Old Norse and Proto-Norse tongue, Wardruna is now, after nearly three years in the making, finally ready to return with the second album in the ‘Runaljod’ trilogy entitled ‘Yggdrasil’. Multi-instrumentalist and songwriter Einar Kvitrafn Selvik has, together with vocalists Kristian Espedal (aka Gaahl) and Lindy-Fay Hella, managed to make a strikingly beautiful and intense continuation of what was started with their first album, but without falling into the trap of merely repeating themselves. ‘Yggdrasil’ is also graced with guest appearances by renowned Icelandic composer Hilmar Örn Hilmarsson and Iceland’s leading rímur singer Steindór Andersen.
The ongoing ‘Runaljod’ trilogy is a musical rendition of the 24 runes in what is often referred to as the elder futhark. Some of the recordings are done outdoors in places or under circumstances of significance to each rune. Wardruna primarily use old and historical instruments such as primitive deer-hide frame drums, Kraviklyra, tagelharpe, mouth harp, goat horn, lur and more. Non-traditional instruments and other sources of sound like trees, rocks, water and torches are also used.
All of these elements are carefully woven into a rich musical landscape and complemented with whispering voices, melodic song and mighty choirs. Although Wardruna’s music share characteristics with music typically labeled as folk, world and/or ambient, none of these genres can really describe their unique style. It truly must be experienced.
‘Yggdrasil’ was written and recorded by Kvitrafn from spring 2010 to winter 2012 at his own Fimbulljóð studio and various outdoor locations.
Produced by Kvitrafn
Mastered by Kvitrafn
Mixed by Kvitrafn
Unge og gamle møtes til basar:
Basar på Nesset (Kvammen gamle skole) ca 1982. Her er den yngre garde samlet for fotografering.
Foran f.v. Bjørnar Johansen, Håvard Johansen, Stig Strøm, (to ukjente jenter), Hilde Hermansen og Vigdis Strøm. Gudmund Sundli med trekkspillet.
Rekke to f.v. Steinar Andersen (sittende bak), Adolf Strøm, Aksel Einar Hanssen, Sigrid Hanssen, Gunn Karin Sæther, Torgeir Rønning, Siv Bernhardsen, Aina Sæther og Marit Børø.
Bak fra midten: Terje Lund (høyest), Rune Lund, Vidar Lund, Magnhild Kvam og Margit Kvam (bak t.h.).
Bildet tilhører Mary Sæther.
***UPDATE*** Joe is actually playing ring toss with this one north of Milwaukee, adding another design staple to a home (and garage) loaded with it. Thanks man!!
Le bâtiment, construit en 1934-1936, a été conçu par Alf Clausen Cock. C'est l'un des rares bâtiments Art déco au Danemark. Il a remplacé l'Hôtel Central. Il tire son nom de C.F. Rich & Sønner, torréfacteurs de succédané de café, qui avaient leur siège social dans la maison jusqu'en 1969.
°°°°°°°°°°°°°°°
Aksel (Axel) Einar (Ejnar) Utzon-Frank (30 March 1888 – 15 July 1955) was a Danish sculptor and professor at the Royal Danish Academy of Fine Arts. During his lifetime, he produced a large number of sculptures, many of which stand as public monuments. He was the uncle of Pritzker Prize-winning architect Jørn Utzon.
Einar Utzon-Frank was born in the Frederiksberg district of Copenhagen in 1888, the son of Jens Christian Frank and Anna Cathrine Utzon.
Utzon-Frank began his artistic life as a painter but changed direction to become a sculptor. He was admitted to the Royal Danish Academy of Fine Arts in 1906, where he became a close friend of the somewhat older Kai Nielsen. However, the two friends followed diverging paths through their creative careers, with Nielsen following a lush modernism in contrast to Utzon-Frank's clear, cool classical style which follows the tradition of Bertel Thorvaldsen.
From 1912 to 1913 Utzen-Frank travelled around Europe, visiting Berlin, Dresden, Munich, Florence, Rome, Naples, Paestum, Paris and later Italy, Greece and England, and many of the classical influences from his travels are evident in his work.
In 1918 at the age of 30, he was appointed a professor at the Royal Danish Academy of Art in Copenhagen, a post in which he remained until 1955.[3] In his teaching, he laid emphasis on solid craftsmanship skills. He was a teacher and educator of great importance and came to dominate several generations of sculptors, including Henry Heerup, Sigrid Lütken, Janus Kamban, Anne Marie Carl-Nielsen, Gestur Þorgrímsson and Douglas Bisset.
He married Gerda Harriet Margrete Christensen on 4 December 1908.[5] Their daughter Grete Utzon Frank was born on 8 February 1909 in Copenhagen, and she married painter and author William Flemming Bergsøe on 21 March 1930. (Wikipedia)
***UPDATE*** Joe is actually playing ring toss with this one north of Milwaukee, adding another design staple to a home (and garage) loaded with it. Thanks man, and thanks for the tour!! Unreal.
Wardruna - Yggdrasil
Indie Recordings
Release date 25th of March 2013 (22.03.13 Norway and G/A)
Norwegian heathens Wardruna have completed work on their latest album ‘Yggdrasil’, which is set for release on Indie Recordings on March 25th 2013.
Four years has passed since Wardruna enchanted their listeners with their mesmerizing debut album ‘gap var Ginnunga’, which also was the first part of a planned trilogy. In the ensuing years the group have spent a lot of time on adapting their music to a live format and establishing a live band. This resulting in a handful of very special concerts, perhaps most notably when they performed in front of the majestic 1100-year-old Gokstad ship at the Viking Ship Museum in Norway.
With the use of the oldest of Nordic instruments and poetic metres as well as lyrics written in Norwegian, Old Norse and Proto-Norse tongue, Wardruna is now, after nearly three years in the making, finally ready to return with the second album in the ‘Runaljod’ trilogy entitled ‘Yggdrasil’. Multi-instrumentalist and songwriter Einar Kvitrafn Selvik has, together with vocalists Kristian Espedal (aka Gaahl) and Lindy-Fay Hella, managed to make a strikingly beautiful and intense continuation of what was started with their first album, but without falling into the trap of merely repeating themselves. ‘Yggdrasil’ is also graced with guest appearances by renowned Icelandic composer Hilmar Örn Hilmarsson and Iceland’s leading rímur singer Steindór Andersen.
The ongoing ‘Runaljod’ trilogy is a musical rendition of the 24 runes in what is often referred to as the elder futhark. Some of the recordings are done outdoors in places or under circumstances of significance to each rune. Wardruna primarily use old and historical instruments such as primitive deer-hide frame drums, Kraviklyra, tagelharpe, mouth harp, goat horn, lur and more. Non-traditional instruments and other sources of sound like trees, rocks, water and torches are also used.
All of these elements are carefully woven into a rich musical landscape and complemented with whispering voices, melodic song and mighty choirs. Although Wardruna’s music share characteristics with music typically labeled as folk, world and/or ambient, none of these genres can really describe their unique style. It truly must be experienced.
‘Yggdrasil’ was written and recorded by Kvitrafn from spring 2010 to winter 2012 at his own Fimbulljóð studio and various outdoor locations.
Produced by Kvitrafn
Mastered by Kvitrafn
Mixed by Kvitrafn
Wardruna - Yggdrasil
Indie Recordings
Release date 25th of March 2013 (22.03.13 Norway and G/A)
Norwegian heathens Wardruna have completed work on their latest album ‘Yggdrasil’, which is set for release on Indie Recordings on March 25th 2013.
Four years has passed since Wardruna enchanted their listeners with their mesmerizing debut album ‘gap var Ginnunga’, which also was the first part of a planned trilogy. In the ensuing years the group have spent a lot of time on adapting their music to a live format and establishing a live band. This resulting in a handful of very special concerts, perhaps most notably when they performed in front of the majestic 1100-year-old Gokstad ship at the Viking Ship Museum in Norway.
With the use of the oldest of Nordic instruments and poetic metres as well as lyrics written in Norwegian, Old Norse and Proto-Norse tongue, Wardruna is now, after nearly three years in the making, finally ready to return with the second album in the ‘Runaljod’ trilogy entitled ‘Yggdrasil’. Multi-instrumentalist and songwriter Einar Kvitrafn Selvik has, together with vocalists Kristian Espedal (aka Gaahl) and Lindy-Fay Hella, managed to make a strikingly beautiful and intense continuation of what was started with their first album, but without falling into the trap of merely repeating themselves. ‘Yggdrasil’ is also graced with guest appearances by renowned Icelandic composer Hilmar Örn Hilmarsson and Iceland’s leading rímur singer Steindór Andersen.
The ongoing ‘Runaljod’ trilogy is a musical rendition of the 24 runes in what is often referred to as the elder futhark. Some of the recordings are done outdoors in places or under circumstances of significance to each rune. Wardruna primarily use old and historical instruments such as primitive deer-hide frame drums, Kraviklyra, tagelharpe, mouth harp, goat horn, lur and more. Non-traditional instruments and other sources of sound like trees, rocks, water and torches are also used.
All of these elements are carefully woven into a rich musical landscape and complemented with whispering voices, melodic song and mighty choirs. Although Wardruna’s music share characteristics with music typically labeled as folk, world and/or ambient, none of these genres can really describe their unique style. It truly must be experienced.
‘Yggdrasil’ was written and recorded by Kvitrafn from spring 2010 to winter 2012 at his own Fimbulljóð studio and various outdoor locations.
Produced by Kvitrafn
Mastered by Kvitrafn
Mixed by Kvitrafn
***UPDATE*** Joe is actually playing ring toss with this one north of Milwaukee, adding another design staple to a home (and garage) loaded with it. Thanks man!!
An insane desk needs an insane co-pilot This is for those ballers that like the great stuff. Wait... is that you?
Wardruna - Yggdrasil
Indie Recordings
Release date 25th of March 2013 (22.03.13 Norway and G/A)
Norwegian heathens Wardruna have completed work on their latest album ‘Yggdrasil’, which is set for release on Indie Recordings on March 25th 2013.
Four years has passed since Wardruna enchanted their listeners with their mesmerizing debut album ‘gap var Ginnunga’, which also was the first part of a planned trilogy. In the ensuing years the group have spent a lot of time on adapting their music to a live format and establishing a live band. This resulting in a handful of very special concerts, perhaps most notably when they performed in front of the majestic 1100-year-old Gokstad ship at the Viking Ship Museum in Norway.
With the use of the oldest of Nordic instruments and poetic metres as well as lyrics written in Norwegian, Old Norse and Proto-Norse tongue, Wardruna is now, after nearly three years in the making, finally ready to return with the second album in the ‘Runaljod’ trilogy entitled ‘Yggdrasil’. Multi-instrumentalist and songwriter Einar Kvitrafn Selvik has, together with vocalists Kristian Espedal (aka Gaahl) and Lindy-Fay Hella, managed to make a strikingly beautiful and intense continuation of what was started with their first album, but without falling into the trap of merely repeating themselves. ‘Yggdrasil’ is also graced with guest appearances by renowned Icelandic composer Hilmar Örn Hilmarsson and Iceland’s leading rímur singer Steindór Andersen.
The ongoing ‘Runaljod’ trilogy is a musical rendition of the 24 runes in what is often referred to as the elder futhark. Some of the recordings are done outdoors in places or under circumstances of significance to each rune. Wardruna primarily use old and historical instruments such as primitive deer-hide frame drums, Kraviklyra, tagelharpe, mouth harp, goat horn, lur and more. Non-traditional instruments and other sources of sound like trees, rocks, water and torches are also used.
All of these elements are carefully woven into a rich musical landscape and complemented with whispering voices, melodic song and mighty choirs. Although Wardruna’s music share characteristics with music typically labeled as folk, world and/or ambient, none of these genres can really describe their unique style. It truly must be experienced.
‘Yggdrasil’ was written and recorded by Kvitrafn from spring 2010 to winter 2012 at his own Fimbulljóð studio and various outdoor locations.
Produced by Kvitrafn
Mastered by Kvitrafn
Mixed by Kvitrafn
Hegra samvirkelag (Lykkens Prøve, gnr. 22, bnr. 4 i Hegra), trolig på 1920- eller 1930-tallet. Til venstre står Magnus Mæhre (f. 1888 i Åsen, d. 1977), bestyrer 1919-1948. Se Stjørdalsboka V.1, s. 223-224. Om Magnus Mæhre, se også Bygdebok for Åsen bind 3, s. 235. Til høyre står trolig Håkon T. Bjugan (f. 1885 i Hegra, d. 1974). Bildet er kanskje tatt i anledning Hegra samvirkelags 20-årsjubileum i 1927. Styret bestod da av Einar Wedul, lærer P. Eidem, Ole O. Fossen, Rich. Andersen, Håkon Bjugan og Magnus Mæhre (jf. Stjørdalens Blad 24.09.1927).
Fotograf / Photographer: Edv.B. Østeraas, Stjørdalen
Fotoeier / Photo owner: Rannveig og Ragnar Arentz
Digitalisering / Digitizing: Arne Langås (2011)
Foto-ID / Photo ID: 099-0001
Hvis bildet gjengis i andre sammenhenger, oppgi Åsen Museum og Historielag, fotoeier og fotograf som kildereferanse. Har du utfyllende opplysninger? Legg gjerne igjen en kommentar nedenfor eller send e-post til post@aasenhistorie.no. | If you re-use this photo, please refer to Åsen Museum og Historielag, the photographer and the owner of the photo. Do you have additional information? Please leave a comment or send an e-mail to post@aasenhistorie.no. | www.aasenhistorie.no
by Holger Jacobsen; built for Statsradiofoni (now DR)
the mosaic roof portrays four cultural worthies - Hans Christian Andersen, Johannes V Jensen, Carl Nielsen and Adam Oehlenschläger
six small statues by Einar Utzon Frank portray assorted classical gods, and, on the side facing Heibergsgade?, Eros flanked by Mozart and Shakespeare
connecting building between Gamle and Nye Scene with two smutveje inside:
- Kongens Gang (30m by 2m) for use by visiting royals
- Balletgangen, higher up just under the statues, built in the mid 1950s by Holger Jacobsen's son Ole when the ballet started using the 5th floor of Nye Scene for rehearsals
"the building became known as the Nesting Box and was met with strong criticism, especially by Poul Henningsen and his consorts in the influential magazine Critical Review" (Wikipedia)
www.indenforvoldene.dk/august-bournonvilles-passage-5-hei...
www.facebook.com/ugensskulptur/posts/1547055635334652
en.wikipedia.org/wiki/Holger_Jacobsen
2021 update: to become an "oplevelsesunivers for børn"
slks.dk/nyheder/2021/slotte-og-haver/det-kongelige-teater...
politikenbyrum.dk/Nyheder/art8069159/Det-Kongelige-Teater...
2024 update:
kulturmonitor.dk/scene/art9759731/Det-Kongelige-Teater-se...
byrummonitor.dk/Nyheder/art9760550/Det-Kongelige-Teater-s...
Wardruna - Yggdrasil
Indie Recordings
Release date 25th of March 2013 (22.03.13 Norway and G/A)
Norwegian heathens Wardruna have completed work on their latest album ‘Yggdrasil’, which is set for release on Indie Recordings on March 25th 2013.
Four years has passed since Wardruna enchanted their listeners with their mesmerizing debut album ‘gap var Ginnunga’, which also was the first part of a planned trilogy. In the ensuing years the group have spent a lot of time on adapting their music to a live format and establishing a live band. This resulting in a handful of very special concerts, perhaps most notably when they performed in front of the majestic 1100-year-old Gokstad ship at the Viking Ship Museum in Norway.
With the use of the oldest of Nordic instruments and poetic metres as well as lyrics written in Norwegian, Old Norse and Proto-Norse tongue, Wardruna is now, after nearly three years in the making, finally ready to return with the second album in the ‘Runaljod’ trilogy entitled ‘Yggdrasil’. Multi-instrumentalist and songwriter Einar Kvitrafn Selvik has, together with vocalists Kristian Espedal (aka Gaahl) and Lindy-Fay Hella, managed to make a strikingly beautiful and intense continuation of what was started with their first album, but without falling into the trap of merely repeating themselves. ‘Yggdrasil’ is also graced with guest appearances by renowned Icelandic composer Hilmar Örn Hilmarsson and Iceland’s leading rímur singer Steindór Andersen.
The ongoing ‘Runaljod’ trilogy is a musical rendition of the 24 runes in what is often referred to as the elder futhark. Some of the recordings are done outdoors in places or under circumstances of significance to each rune. Wardruna primarily use old and historical instruments such as primitive deer-hide frame drums, Kraviklyra, tagelharpe, mouth harp, goat horn, lur and more. Non-traditional instruments and other sources of sound like trees, rocks, water and torches are also used.
All of these elements are carefully woven into a rich musical landscape and complemented with whispering voices, melodic song and mighty choirs. Although Wardruna’s music share characteristics with music typically labeled as folk, world and/or ambient, none of these genres can really describe their unique style. It truly must be experienced.
‘Yggdrasil’ was written and recorded by Kvitrafn from spring 2010 to winter 2012 at his own Fimbulljóð studio and various outdoor locations.
Produced by Kvitrafn
Mastered by Kvitrafn
Mixed by Kvitrafn
Fra venstre står Odd Andersen (f. 1921 i Skogn), Cecilie (Andersen) Iversen (f. 1909 i Skogn), Einar Andersen (f. 1912 i Skogn), John Lund (f. 1886 i Skogn), Johanna (Andersen) Holan (f. 1907 i Skogn), Bergljot (Andersen) Nordbotn (f. 1917 i Skogn), Oline (Andersen) Sørum (f. 1914 i Skogn), Per Sørum (f. 1914 i Åsen) og Erling Anderssen (f. 1923 i Skogn). Bildet er tatt på Lunden (gnr. 212, bnr. 11) i anledning Oline og Per Sørums sølvbryllup sommeren 1964. John Lund var Olines pleiefar, de øvrige var hennes søsken. Se Skogn Historie bind X.2, s. 37 og 42–43, og Bygdebok for Åsen bind 3, s. 175.
Fotograf / Photographer: Ukjent
Fotoeier / Photo owner: Aud og Knut Opheim
Digitalisering / Digitizing: Arne Langås
Foto-ID / Photo ID: 042-0250
Hvis bildet gjengis i andre sammenhenger, oppgi Åsen Museum og Historielag, fotoeier og fotograf som kildereferanse. Har du utfyllende opplysninger? Legg gjerne igjen en kommentar nedenfor eller send e-post til post@aasenhistorie.no. | If you re-use this photo, please refer to Åsen Museum og Historielag, the photographer and the owner of the photo. Do you have additional information? Please leave a comment or send an e-mail to post@aasenhistorie.no. | www.aasenhistorie.no
Festtelegram med illustrasjon av Yngve Andersen. Utgitt av Telegrafverket. Motivet "Gratulerer" vann ein kunstnarkonkurranse og blei brukt første gong i 1930.
Digitalisert og tilgjengeleggjort av Bergen Off. Bibliotek med løyve frå Norske Kvinners Sanitetsforening som saman med Nasjonalforeningen for folkehelsen har oppshavrett til motiva på festtelegramma.
Original in Einar Øklands private collection, digital reproduction by Bergen Public Library
This illustration is digitized and made available by Bergen Public Library with permission from Norske Kvinners Sanitetsforening (Norwegian Women's Public Health Association) which together with Nasjonalforeningen for folkehelsen (National Association for Public Health) holds copyright.
Ansvarlig: Amdahl, Bjarne (1903-1968)
Medvirkende: Andersen (illustratør)
Tittel: Som duft av røde roser
Språk: Norsk
Utgitt: Oslo : Norsk musikforl. cop., 1938
Omfang: 3.s
Opplysninger: musikk: Bjarne Amdahl ; tekst: T. Audunson. For klaver med tekst. - Besifring. - Norsk tekst . - Påtrykt pris: Kr. 1,80. - Fra omslaget: "1ste. pr. i Norsk musikforlag og A-magasinets slagerkonkurranse 1938" . - Platenummer: N.M.O.7209 .
Dewey: 782.542164 (hovednummer)
Tittelnr: 0458146
Internettlenke: bergenbibliotek.no/arkiv/digitaltarkiv/oklands_trykksaker...
© Copyright:
Denne illustrasjonen er beskyttet iht. Lov om opphavsrett til åndsverk av 1961. Utover privat bruk er gjengivelse/reproduksjon av vernede illustrasjoner ikke tillatt uten etter avtale med rettighetshaver v/BONO. Kontakt BONO (Billedkunst Opphavsrett i Norge) for rettighetsklarering: www.bono.no
Henvisningen til norsk lov innebærer at utlegning av verk under Creative Commons-betingelser ikke aksepteres.
This illustration is protected according to Norwegian Law on copyright of 1961. Beyond private use, reproduction of protected illustrations are not allowed without the permission of the licensee v / BONO. Contact BONO (Norwegian Visual Artists Copyright Society) for rights clearance: www.bono.no
Interpretation (reuse) of this work under Creative Commons conditions are not accepted.
Original in Einar Øklands private collection, digital reproduction by Bergen Public Library
Familien Sørum, fotografert andre dagen i bryllupet til Per og Oline Sørum i 1939. Bildet er tatt på Lund i Skogn. Foran fra venstre: Birger Sørum (f. 1903), Gunvor (Sørum) Hovdal (f. 1913), Margrethe (Sørum) Vedul (f. 1911), Signe (Vedul) Dahling (f. 1905), Aslaug (Sørum) Svendsen (f. 1899), Amalie (Andersen) Sørum (f. 1860 i Hurdal), Per Sørum (f. 1914), Olga (Sørum) Stokkan (f. 1887) og Asbjørn Sørum (f. 1895). Bak fra venstre: Annie (Gudding) Sørum (f. 1909 i Stjørdal), Ottar Hovdal (f. 1914), Einar Vedul (f. 1909), Leif Dahling (f. 1899), Oline (Andersen) Sørum (f. 1914) og Andres Stokkan (f. 1884). Se Bygdebok for Åsen bind 3, s. 139-140.
Fotograf / Photographer: Ukjent
Fotoeier / Photo owner: Aud og Knut Opheim
Digitalisering / Digitizing: Arne Langås
Foto-ID / Photo ID: 042-0290
Hvis bildet gjengis i andre sammenhenger, oppgi Åsen Museum og Historielag, fotoeier og fotograf som kildereferanse. Har du utfyllende opplysninger? Legg gjerne igjen en kommentar nedenfor eller send e-post til post@aasenhistorie.no. | If you re-use this photo, please refer to Åsen Museum og Historielag, the photographer and the owner of the photo. Do you have additional information? Please leave a comment or send an e-mail to post@aasenhistorie.no. | www.aasenhistorie.no
Wardruna - Yggdrasil
Indie Recordings
Release date 25th of March 2013 (22.03.13 Norway and G/A)
Norwegian heathens Wardruna have completed work on their latest album ‘Yggdrasil’, which is set for release on Indie Recordings on March 25th 2013.
Four years has passed since Wardruna enchanted their listeners with their mesmerizing debut album ‘gap var Ginnunga’, which also was the first part of a planned trilogy. In the ensuing years the group have spent a lot of time on adapting their music to a live format and establishing a live band. This resulting in a handful of very special concerts, perhaps most notably when they performed in front of the majestic 1100-year-old Gokstad ship at the Viking Ship Museum in Norway.
With the use of the oldest of Nordic instruments and poetic metres as well as lyrics written in Norwegian, Old Norse and Proto-Norse tongue, Wardruna is now, after nearly three years in the making, finally ready to return with the second album in the ‘Runaljod’ trilogy entitled ‘Yggdrasil’. Multi-instrumentalist and songwriter Einar Kvitrafn Selvik has, together with vocalists Kristian Espedal (aka Gaahl) and Lindy-Fay Hella, managed to make a strikingly beautiful and intense continuation of what was started with their first album, but without falling into the trap of merely repeating themselves. ‘Yggdrasil’ is also graced with guest appearances by renowned Icelandic composer Hilmar Örn Hilmarsson and Iceland’s leading rímur singer Steindór Andersen.
The ongoing ‘Runaljod’ trilogy is a musical rendition of the 24 runes in what is often referred to as the elder futhark. Some of the recordings are done outdoors in places or under circumstances of significance to each rune. Wardruna primarily use old and historical instruments such as primitive deer-hide frame drums, Kraviklyra, tagelharpe, mouth harp, goat horn, lur and more. Non-traditional instruments and other sources of sound like trees, rocks, water and torches are also used.
All of these elements are carefully woven into a rich musical landscape and complemented with whispering voices, melodic song and mighty choirs. Although Wardruna’s music share characteristics with music typically labeled as folk, world and/or ambient, none of these genres can really describe their unique style. It truly must be experienced.
‘Yggdrasil’ was written and recorded by Kvitrafn from spring 2010 to winter 2012 at his own Fimbulljóð studio and various outdoor locations.
Produced by Kvitrafn
Mastered by Kvitrafn
Mixed by Kvitrafn
Brudeparet Einar Andersen (f. 1912 i Skogn) og Hjørdis Rendum (f. 1918 i Skogn), bosatt i Lensvik. Se Skogn Historie bind X.2 (s. 42) og XI.2 (s. 472). Einar var bror av bl.a. Oline Sørum og Bergljot Nordbotn, begge bosatt i Åsen.
Fotograf / Photographer: Ukjent
Fotoeier / Photo owner: Aud og Knut Opheim
Digitalisering / Digitizing: Arne Langås
Foto-ID / Photo ID: 042-0288
Hvis bildet gjengis i andre sammenhenger, oppgi Åsen Museum og Historielag, fotoeier og fotograf som kildereferanse. Har du utfyllende opplysninger? Legg gjerne igjen en kommentar nedenfor eller send e-post til post@aasenhistorie.no. | If you re-use this photo, please refer to Åsen Museum og Historielag, the photographer and the owner of the photo. Do you have additional information? Please leave a comment or send an e-mail to post@aasenhistorie.no. | www.aasenhistorie.no
Samlekort med reklame for Bjørneseths Kaffe. Del av ein serie med diktet om "Konen med eggene" av H.C. Andersen.
Teiknar ukjend.
Ca. 1910–15.
Original in Einar Øklands private collection, digital reproduction by Bergen Public Library
Samlekort med reklame for Bjørneseths Kaffe. Del av ein serie med diktet om "Konen med eggene" av H.C. Andersen.
Teiknar ukjend.
Ca. 1910–15.
Original in Einar Øklands private collection, digital reproduction by Bergen Public Library